The Purpose  of   HEALING - K.I.S.S.

- as stated 12 years ago - was and is

  to help me and my potential P E E R s 

"to HEAL ourselves into WHOLEness,

and - by extension - all of CREATion!"
Intro to Healing-K.i.s.s. 2001-2013
and Overview of its main libraries

[If you look for a word on this page,
click ctrl/F and put a word in "find"]


I focus my experiencing and awareness on being
"a   pioneer of  Evolution  in  learning  to  feel":
I let my Body vibrate and my Heart 'womb'
pain, shame, fear, boredom, powerlessness,
so feelings can >heal >guide>fulfill>evolve,
and ~~~ offer ~~~"goldmines"~~~ to us all!!
"I want you to feel everything, every little thing!"

 

 

Back to the Overview of all sculptures in the fourfold library of "InteGRATion into GRATeFULLness"


 See below, what I inserted in January 2011!

 

InteGRATion into GRATeFULLness
Close-ups of my Past

 

2007_08_04: Closeup of 2006_08_02
Last Update: 2009_09_25

 

Preface:
On August 8, I had a chance to let the children read this page,
and asked Arnon to help his sister with the "difficult message" in it.
The outcome was a deep, moving talk between the three of us,
and some hours later Ayelet let me even cuddle her in my lap...
See my song-page forAyelet's ninth and twelfth birthday.

 

My Granddaughter and I



Love is to be a space, in which the loved-one can grow
Love is to be a border, against which the loved-on can grow

I am blessed with five granddaughters and five grandsons.
They were born to my three children between 1987 and 2005.

Ayelet is exactly sixty years - less one day - younger than I am.
There are two grandsons, with whom the relationship has never been "warm",
and there is one granddaughter, whose love and even caring for me in her first ten years changed into something else ...

But Ayelet's sheer flinching from her grandma from the day, she was old enough (about the age of 12 months) to relate
can not be understood on a physical level....

 

 

 






Ayelet wants to pose together with Itamar,
but Itamar is depressed today
and does not get involved in the first game today:
"Playing Post-Office'








 



Watching the sunset

Sleeping together on the floor

Waking each other in the morning



 

 




I've no idea, why the photos of that day show,
that we ate grandma's famous "Pfannkuchen",
and not her second most preferred dish -pyree!

The behavior of Ayelet
the minute her mother comes in,
would have been the same: "I don't like pancakes".
Mother: "What else do you want?"
And mother offers all kinds of things,
until the princess agrees to want something,
which then the mother hurries to prepare,
never mind her own tiredness,
never mind that it's grandma day
and grandma is allowed to be responsible for dinner.

 

 


 

What show was this?

 

to former accidental closeup of my Past   to next accidental closeup of my Past

 

 

2009

I follow my understanding and new lekh-lekhâ on January 1, 2009,
  that - after 7 years - I should no longer create new pages on my 2 websites,
but intermingle the evidence of new experiences with that on existing pages.

A nice way to celebrate the entry of the New Jewish Year 2009:
Micha's family meets with friends and friends of friends at a site,
which serves two purposes: a memorial for a fallen soldier
and an exhibition of components of the water-pipe to Jerusalem (Meqorot-Water Company),
which - when (if?) it will be completed in 2020 - will carry 500 000 cubic meters per day....

 

Flowers and Clouds and four of the actors in my drama

Ayelet asks, if she can pluck cotton flowers, while we drive through a field on Rosh Hashanah
(see the purpose of that outing at the end of page 7 in ARARAT-HEART)
Ayelet, as so many children , is addicted to her computer-games, though cousin Mika is present.

 

 

The main event - a morning walk in the fields with my son,
during which he shared what was weighing him down
concerning what I called "your co-actor and main teacher"
cannot be told here.
For my own memory:
may the reflections and the shadows hint at
how we all are setting up our personal dramas
and for what purpose we are casting our co-actors...


Micha's and Ra'ayah's garden reflected in the sunflower painting of Dita, my stepdaughter,

and - together with my head next to the shadow of the rail-
on the wall between the upper floor with the childrens' rooms
and the main floor, from which the lowest floor with the entrance to "my" room is visible-
our shadows....


context: Rosh Hashanah at Mazkeret Batya

 

"Micha, I sent you an e-mail from room to room this morning,
you do not have to respond, but read it as if it were the Bible.
Every line is chiseled in stone!"


When Micha brought me to the junction,
from where I hitchhiked back to Arad,
I asked him: "How do you feel now?!"
To my surprise he said frankly: "Heavy!",
meaning his present frustration with his job
and his inner knowing, that he has to do his-
"Lekh-Lekha", parting from the golden cage
into unknown and insecure territory.

perhaps
my

letter to Micha here?)

 

 

 

 

 

2011_01_14
Continuation of this "Good-Bye Present" to my 23 years of Grandmotherhood,
i.e. of the sequence of Ayelet's life in Arnon's slide-show on Ayelet's Bat-Mitzva


 

 


 

 

 





Continuation of this "Good-Bye Present" to my 23 years of Grandmotherhood,
i.e. of the sequence of Ayelet's life in Arnon's slide-show on Ayelet's Bat-Mitzva
at the end of the first page of FULLmoon FULL-FILL-ment