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Back 
    to Overview of all sculptures in the fourfold library of "InteGRATion 
    into GRATeFULLness" 
    
    
See below, what I inserted in January 2011!

    InteGRATion into GRATeFULLness
    Fine-tuning to my Presence
     
 
    
FULLmoon FULL-FILL-ment
    2007_08_31: 
    last update: 2007_09_15
One day - August 27 - among the 3 days of the 
    Quartet's "Grandma-Camp in Arad".
    
    a slow-motion presentation of how "Conditions 
    for Heaven-on-Earth" are created....
    
    dedicated to Micha, my son and Arnon's 
    & Ayelet's father, on his 41st birthday today.

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The day before it had seemed, that there was little action, 
    except for going to the swimming pool.
  
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 In the morning Arnon and Itamar invented a caliper 
             In the evening Yael and Arnon made music together Later Arnon transferred the music "The 
            Daughters Nechama",  Finally, when the little ones, Lior & Amit, 
            were gone,  
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But in hindsight I see, that the main "action", 
    that prepared us for the Day of the Full Moon, was this:
    Ayelet, 60 years my junior, cried twice ~in great pain~ that she wanted her 
    parents to take her home.
    The first time - 4 PM - the other three succeeded in supporting her until 
    she was done with her tears.
    But after our nightly moon-walk ~ they did not succeed and sadly gave in to 
    her calling her parents.
    
    "I want to go home, I want to go home, I want to go home!"
    
    The parents promised, and the other three were sad:
    
    "What shall we do without Ayelet? 
    Isn't she a part of our Quartet?"
    Little did we know, that the real lesson was awaiting us the next day....
  
Maybe, the butterfly on my velvet curtain, which 
    I watched with Lior&Amit, 
    pointed towards a transformative experience on the Day of the Full Moon?
|    | From my diary, August 27, 
          7 AM written before the kids woke up, trying to cope with shame& fear: At 14:30 Micha called: "why can't I reach you, whyYYYYY?" "Because we were in the pool until half an hour ago, and anyway Ayelet is alright, it's just her pattern!" "Just her pattern", he repeated, not convinced, not pleased with my judgment. At 4 PM – again a crisis with Ayelet. At 6 PM- Ra'ayah worried, but relaxed when I told her, how all the four of us helped Ayelet to let herself be comforted. 
 Later there was an exchange of SMS messages between Micha and me, so she wouldn't hear, and when I sent her to brush her teeth together with Yael, I called him.  And it was then, that I did not 
          listen to Micha's worry, but said bluntly: | 
August 27, FULL MOON
  
The Four had again slept on my veranda on mattresses
    and when they started their day with cornflakes and making a kite,
    everything was "normal":
    

But then:
"When do we go to the pool?" said 
    Itamar.
  
"I am not going to the pool!" said Ayelet.
    "You are not going to the pool?" 
    
    
    A thunderbolt! 
    "Now you have serious work to do!" 
    I said to the other three.
    "I cannot let you go to the pool without me and 
    stay with Ayelet,
    nor can I go with you and leave Ayelet at home ."
    
  
A terrible conflict of interests.
    "Interests?" or "Ego?" 
    It didn't matter.
    We had a huge lesson at hand,
    since - unlike most people, peoples and governments on earth - 
    the terms "to give in", "to succumb", are not in our dictionary
    nor the terms "to impose", "to override",
    nor the term "to compromise".
    
  
|  Arnon and Yael started to talk to Ayelet, Ayelet cried, someone brought toilet-paper. Itamar tried to escape the situation. Though he was the most eager to go to the pool. I had to push him several times to play his role in the drama. And indeed, a drama started to unfold, in which each one had to learn and to heal something. And when after three and a half hours we were "done", a gentle process led towards intimate togetherness and exhilarating joy. On the pages 2 to 7 the Quartet's work of tears can be felt in the left column and the jumps of joy and togetherness in the right column. Their walk to the pool and back from the pool, and their walk to the desert and back at night symbolize the movement of our FULLmoon-FULL-FILL-ment. The 12th page, after Ayelet's departure, celebrates the Trio. |  | 
First Stage of the drama: 
    Ayelet, what can we three do, to make you want to go to the pool?
    
    Second Stage: 
    Arnon, what is it that you have wanted to tell Ayelet about yourself for seven 
    years?
    
    Third - short - Stage : 
    Yael, what is it, that you want to tell Arnon about not succeeding in helping 
    him?
    
    Fourth stage :
    Itamar, what is it, that you want to ask from Ayelet so as to benefit from 
    "Grandma Camp in Arad".
    
    Closure: 
    Ayelet, how do we have to relate to our Ego?
And these images - not posed, not intended - shall comfort 
    us through the process of tears.
    They were taken about 4 AM in the pool, when balance returned and with it 
    joy and love.
  

    Ayelet and Yael
    
    Arnon and Itamar
     
 
    
    The Quartet 
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to 
    former sculpture of my Present   to next 
    sculpture of my Present
   
    to next 
    sculpture of my Present
2011_01_14 
    Continuation 
    of this "Good-Bye Present" to my 23 years of Grandmotherhood,
    i.e. of the sequence of Ayelet's life in Arnon's slide-show on Ayelet's 
    Bat-Mitzva 
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Closure of this "Good-Bye Present" 
    to my 23 years of Grandmotherhood, 
    i.e. of the sequence of Ayelet's life in Arnon's slide-show on Ayelet's 
    Bat-Mitzva
    at the end of the second 
    page of FULLmoon FULL-FILL-ment