The Purpose  of   HEALING - K.I.S.S.

- as stated 12 years ago - was and is

  to help me and my potential P E E R s 

"to HEAL ourselves into WHOLEness,

and - by extension - all of CREATion!"
Intro to Healing-K.i.s.s. 2001-2013
and Overview of its main libraries


[If you look for a word on this page,
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I focus my experiencing and awareness on being
"a   pioneer of  Evolution  in  learning  to  feel":
I let my Body vibrate and my Heart 'womb'

pain, shame, fear, boredom, powerlessness,
so feelings can >heal >guide>fulfill
>evolve,
and ~~~ offer ~~~"goldmines"~~~ to us all!!
"I want you to feel everything, every little thing!"

 

 


Back to Overview of all sculptures in the fourfold library of "InteGRATion into GRATeFULLness"


InteGRATion into GRATeFULLness

Fine-tuning to my Presence

 

 

2007_12_04-11, Chanuka

"God" is the lights and the shades

 

 

     
   
         
       
         

 


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On the eighth day: Grandma day at Mazkeret Batya

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It was four o'clock, when we finally left the house,
this beautiful, special, new house of Micha and Ra'ayah, Arnon and Ayelet
at Mazkeret Batya

Itamar had uttered the wish to go back to the "Field of the Four Elements",


The beautiful new house of Micha's family at Mazkeret Batyah

 



The sun goes down, but it is not cold, and there is no wind,

the ideal weather for the Four to play a version of "Hide and Seek", which was unknown to me,
and then, after I found a tennis ball in the earth,
to play in way that led from two against two to:
"Let's simply play together!"

 

 

 


I made them pay attention to that slain palm-trunk under the dry herbs

 

 

 

 

 

 

 

 

 

 


How strange, that there was again a puddle, like on January 30!

 

Then it became too dark to discern the flight of the ball,
and we moved to the street in front of the house.

     

 

     

 

     

 

 

 

 

Ra'ayah used the day to travel to Kibbutz Sa'ad, to see one of her sisters.
But Micha has supper with us.

The last blessing-choreography on this grandma-day after the last day of Chanuka:
the boys watch the girls with delight, after they had invented and expressed their own blessings already.
Only the father/uncle, who participated in the meal, did not take part in this ancient grandma-day-ceremony.

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Five minutes before I had to leave,
Arnon wanted to let me hear one of his piano pieces,
he played the tune of Verdi's "La Traviata" with his right hand,
and with his left hand the chords, enriched by the keyboard.
I told him again, how much I envy him
for the delightful method According to which he learns to play.

 

 

 

I want to close with two little incidents which happened in the morning.

When they all sat there on the cold floor playing a game with little cars,
I said to Itamar: "You should wear your socks".
Ayelet, for some reason I forgot, said:
"I would bring you mine, but they are pink, you might not like that."
"Ohoo!" I exclaimed
and pinned them down on this symbol of old-fashioned chauvinism:
"It would be alright if you, a girl, wore Itamar's socks, but vice versa would be shameful, ah?"
We made a "code" out of this incident, just mentioning "pink socks", when some chauvinist concept flattered around.

During the day I discerned this new clock over the kitchen sink.
"Doesn't it show a woman sitting on a chair, while the man does some work in the kitchen?"
They explained, that no, in this case it was simply the image of a bar and had nothing to do with pink socks!.

The other symbol, which Accompanied us during the day,
had its source in what I said to Yael after the process about coping with fear,
in that case the fear to burden her mother.
"Are you aware, that you and Ayelet complement each other like Yin and Yang?"
They knew, what I meant, and Ayelet searched for a way to draw,
what these girls often call "Yaelet", a combination of Yael and Ayelet.
Finally she despaired of expressing "Yaelet" with the traditional symbol of Yin and Yang
and used instead the upright symbol of infinity.
I glued them between the two Mandalas, Yael had drawn sometime during the day.

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