The Purpose  of   HEALING - K.I.S.S.

- as stated 12 years ago - was and is

  to help me and my potential P E E R s 

"to HEAL ourselves into WHOLEness,

and - by extension - all of CREATion!"
Intro to Healing-K.i.s.s. 2001-2013
and Overview of its main libraries


[If you look for a word on this page,
click ctrl/F and put a word in "find"]


I focus my experiencing and awareness on being
"a   pioneer of  Evolution  in  learning  to  feel":
I let my Body vibrate and my Heart 'womb'

pain, shame, fear, boredom, powerlessness,
so feelings can >heal >guide>fulfill
>evolve,
and ~~~ offer ~~~"goldmines"~~~ to us all!!
"I want you to feel everything, every little thing!"

 

 

Back to Overview of all Songs


InteGRATion into GRATeFULLness
Singing&Sounding keeps me Sound


May much peace grow from my country
Last update: 2007_12_10

2007_02_01

lyrics and tune


Yitzchak Eliahu Navon

1918


This song, which always brings up tears, was on a record,
which I bought in Israel,
before I returned from my scholarship year
in Jerusalem, July 1961
It's only now,
that I'm learning the antique words by heart

Buds of Peace

May much peace grow from my country,
whole oasis , town of my desire.
(2)
Law and justice will build my breach,
(then) all nations will acknowledge
the charm of my relgion,
(2)


Nation shall not lift up its hand
against nation,
for the good and the knowing
shall they compete.
(2)
They will think and say truth
(then) the justness of my people
they'll quickly recognize.
(2)


Let's bring the wretched to the heritage
to the land of the fathers
among many brothers,
(2)
And the dispersed that are in exile,
put them, O God, in safety and security
(2)

and they shall beat their swords into plowshares,
and their spears into pruninghooks;
nation shall not lift up sword against nation,
neither shall they learn war any more

Isaiah 2:4

What I did - not intentionally -
to convert swords into ploughshares,
was to buy an old army-bus
and convert it into my home,
in order to drive in Abraham's bus-steps...

[As to the implied pain about the flaws of the people,
even when they first immigrated to Israel,
see what I said in
"Liberty through Responsibility" p.2
[inserted in the original Hebrew in Learn&Live 6, Nov.20]
about Leo Pinsker, and how it broke his heart.

 

 


to former song to next song



2009

2009_12_15-16 - Mika's Heaven on Earth

I follow my understanding and new lekh-lekhâ on January 1, 2009,
  that - after 7 years - I should no longer create new pages on my 2 websites,
but intermingle the evidence of new experiences with that on existing pages.



On August 1, I decided to re-employ song-page after song-page
for documenting and exploring
the evolution of my youngest grandchild,
a starchild whose assignment for this planet seems to be:
to demonstrate by her own living and doing,
how to playfully create from moment to moment

"zest-fully and full-filled"

[see previous composition]



"Today I want to discover something new", I said to Mika,
before she could voice her expected wish to go to the playground.
She seemed to agree, but made a whining scene: "I cannot walk!"
The girl, who is jumping, climbing, doing acrobatics all day long!
So, while carrying her, I directed my steps up to the water-tower.


"Do you remember the water-tower of Bet Nehemya?"
Now and afterwards and still two days later, when she told Abba,
I realized, that she simply cannot get it into her head and imagination,
that "Bet Nehemya" is not one house, the house, in which she lived,
but "a village", i.e. an agglomeration of houses,
nor that now, too, she lives among other houses, in what is called "a town".


But as to the water-tower and all that we were about to discover,
she asked smart questions, like "where does the water come from?"
As soon as we had reached the water-tower, she forgot her "tired feet"
and roamed around,
first enjoying with me the fantastic view - as far as to the towers of Modi'in,
(where she had lived for 3 transitory weeks between Bet Nehemya and Shoham)
and then exploring the small archeological site, which we hit on.
Actually this is "a hill of wars", as several memorial boards indicate,
and not a sign of information could be detected
of when and what people carved out the impressive ditches and holes.

 

 

 

 

 

 

 

After Mika had found a strange almost cube-sized stone
and played with throwing it into one of the water-filled tiny round hole,
we discovered where the stone came from: a mosaic!
I taught her that this is called a "psifas"!
"like the word "professor"? she said.

I let her take the stone home, "but don't throw it away, don't loose it!
One day you'll come here with Abba and bring the stone back, promise!"


At home in my room, we looked for a secret place,
where we would also hide the triangular stone,
which I had found in the morning (repair of heart-chain!),
on the sideway among a small heap of broken tiles.
My idea had been right on the spot,
that Mika could paint the 3-dimensional triangle all around
as a gift for her father's birthday.
Mika was so enthusiastic about the stone and the idea,
that she, of course, couldn't keep the secret....




 

 

 

 

 

 




The image with Mika carrying
the few
flowers which we had picked
and which she herself had put in this glass,

once more exemplifies her sensitivity to whatever we find in nature.

Mika's drawing-painting style has changed now: instead of "items" and "creatures" she paints areas of forms and colors.
When, on this evening, Efrat and I asked her, what this [the lower picture) was, she hesitated, thinking frentically and said:
"It is ~~~ a machine~~~ like a net~~~ which catches sharks and dolphins~~~"
Both, Mika and Efrat, looked at me, expecting my reaction to "dolphins"
and Efrat - under this pressure - felt urged to say: "but dolphins..."
Mika hurried to add - with tears in her voice :
"but the sharks rescue the dolphins"
.


We both felt bad of having pressured her so,
and discussed, if we should not even ask the painter: What is this?
"But I also want to show her my concern for what she creates."
said the painter's mother, and , of course, this is true for me , too.


The next day I found a chance to show Mika that picture again.
"Did you say, that here the sharks are rescuing the dolphins?"
"Yes, but also the dolphins are rescuing the sharks!"


That was the moment to dig deeper:

"Tell me, Mika, does it bother you (le-hatziq lakh), that we ask about a painting: what is this?

"No"
, she said with no doubt in her voice and face, "this does not bother me!"

"Good! But know, that even great painters like Picasso about whom I told you,
sometimes don't know, what it is they've painted.
And you, too, can simply answer: "I don't know", if someone asks you!"



Still, the fear that people have of my judgmental remarks
about words they say or drawings they make, etc. etc.
is not something I want to take lightly.


The same is true for the mutual triggering (not too bad, not long) the next morning
concerning my story about the experience in the kindergarden.

At first I only reinforced the correct, but confused story of Mika
and said, I would tell her- tired and exhausted Efrat - more later
"perhaps in one of the advertisement breaks during the BIG BROTHER reality show".


When we watched the show together
[see in K.i.s.s.-log 2008, for instance on Oct. 20, how important the first season of 100 days was for me!],

I did try, but felt I had already built up the story to something so overwhelming,
that Efrat didn't show interest in hearing more if it.


But the next morning I ventured:
"perhaps I shouldn't stay inside the kindergarden anymore!"
which triggered Efrat and she exclaimed:
"Why must you make everything so complicated!
I decide now: you won't take Mika today, I'll take her myself!"



Now it was my turn to be triggered and I disappeared in my room.
Not for long, though, since I could well see, how I had created this.
I came out again and accompanied the ritual of Mika's getting ready for kindergarden.
This time Efrat drove her there (instead of letting me bring Mika by foot - 5-7 minutes!)
and came back for a few minutes, for on this day she would travel to work with Talli.


She tried to appease me, like I tried to appease her saying:

"You are right, I should have simply told you the bottom-line of the experience:
'I find it dangerous, when the kids compete for me,
it's not good for the atmosphere in the kindergarden, nor is it good for Mika!'
and I accept that you get triggered by my 'too much, too complicated'!
But I don't accept that you punish me!"



Somehow peace was restored right there and then,
and Efrat said:
"Since Immanuel will return from flight around 3 PM,
and I want him to rest,
you may take Mika from the kindergarden at 3 PM.
And as you suggested: tell Tzippora, when you ring the bell
(no guard during the Chanuka week!),
that she should bring Mika out, without you going in."


And that was, what happened:
Mika was brought out to me,
she sat in the yard, carefully cleaning the sand out of her shoes and socks,
then - with my help - doing some breath-taking climbing on the fence ,
and then walking with me along the road,
"in order to pick flowers for Abba".

We found many different pretty flowers hanging out from the gardens.
"How excited will Abba be!" she exclaimed over and over.


An imposing tiger-colored cat began to attach itself between our legs,
Mika got afraid - having heard from her mother so often:
"Never touch a street-cat, it may scratch you!"

And as so often, the fear fulfilled itself:
we wanted to rest on a bench, and - hop - the cat was on Mika's lap...
I transferred her swiftly to a nearby swing,
the cat - walking through underneath - caught a kick from Mika's shoes
and finally moved aside,
but when we wanted to go home, it was bothering us again,
and since there was no way, that Mika would walk ,
I had a child on my shoulders and a cat between my legs

until we crossed the main road, Emeq Ayalon, where it stayed behind.
There was no opportunity for taking any picture, of course...


In the evening,
after Mika had enjoyed both her parents together,
she came to me with a cardboard:
"Write on it: Welcome to Mika's birthday!"
I wrote by pencil,
she colored the writing,
and for the background
I proposed to use
water-colors.
[All the equipment is always ready on and in my chest!]
The result
of this co-creation
was making us
happy

Here she is still dressed as a princess,
since - just before - I rehearsed with her,
how she would appear in front of all the guests on her birthday,
hinting at the song I had made for her (the rest is still a secret..).
"Do you remember, what you answered,
when Imma asked you,
about what grandma should make you this year's song?"

This was on the morning of Dec. 7, before I left Shoham.
Since that time I returned by train and bus
- because of the imminent rain,
the song was ready, when I reached home.
Now , 9 days later,
she remembered every sentence she had said...
~~~God waits for her to grow up ~~~
~~~ to make her a princess in heaven~~~




The sixth day of Chanuka
- singing all the old songs, including our own-
see from SongGame2007_12_03 onward..


Since this time I didn't leave for Arad when my son returned from flight,,
Immanuel showed me, how he can - on Google Earth and with GPS etc. -
mark his except steps on an exact 5 km track at the beach of Los Angeles,
including the rate of his heart-beat!
Amazing.

This is a chance to insert a few photos
taken at Los Angeles Beach
in April 2009,
when my son-on-flight
took with him his two daughters:
Elah (then 21) and Mika (then 3)

 

 



 

 

 

 


ll

 

 

 

"You are all perfect
and expanding;
you are all adored
and worthy;
you are all here having your exposure
to experiences
and doing the best
that you can
from where you are.
You have not been sent here in a test or trial;
you're here as creators as part of an expanding Universe.
… That judging... God
is manufactured from humans' deepest despair.

--2004 Abraham



Some interactions with Mika,
told in Hebrew

about kisses
and about God's task in her life

 

Continuation of Mika's "Heaven-on-Earth" , in December 2009, on the Song page of February 2,2007