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InteGRATion into
GRATeFULLness
Singing&Sounding keeps me Sound
| 2007_11_29
- two songs 2011_06_02 - Song 2011_09_24-Masterchef |
Masterchef
- 60th page: The Finale Immanuel joins his companions, who had been dismissed formerly, while Avi and Elihav have to fight it out in the live show. Avi becomes the Masterchef of Israel |
I,
Christa-Rachel, Immanuel's mother, have been healing, learning and creating through "Healing-K.i.s.s." since 10 years. That it was erased on..... Christmas 2008 was a sign: "no longer create new pages! but add new creations to existing pages! [up to maximum 1300 KB size per page]" The purpose was revealed only N O W: Humankind is p a s s i n g from linear time and separateness to spherical 'time' and ONEness! |
 back to Masterchef 59th page |
 forward to Masterchef 61st page |
O give me a home
versus
Take this moment
2007_11_29
Lyrics and tune by Frank Sinatra
O give me a home where the buffaloes roam Chorus:
Where the air is so pure and the zephyrs so
free How often at night when the heavens are
bright |
I
learnt this song during our retreat in AUschwitz-BirkenAU 2003
1.Take this moment, sign and space; 2. Take the time to call my name, 3. Take the tiredness of my days, 4. Take the little child in me 5. Take my talents, take my skills, |
I had planned "O give me a home" for this day, So right in time
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s to the one line in the modern song, which doesn't agree
with me
"letting your forgiveness touch"
it was only yesterday, that I came across this
quote from Godchannel:
"How is Reclaiming lost Will Related to Forgiveness?"
"A Course in Miracles is a manual on Forgiveness
on how to do this with congruence and integrity.
But it doesn't address the issue of lost will or magnetic essence.
Reclaiming magnetic essence that you've previously denied
requires coming out of denial and feeling what you didn't want to feel before.
If it's a resentment,
and you release it because you're now aware
that the problem was with you, and not the other,
then you're using the forgiveness model to reclaim a projection,
a part of yourself that you had denied onto another."
On June 2, 2011 ,
I began to learn a song, which talks about my own
home, Israel.
The tune was familiar to me, but not the lyrics and not the story!
about a - Christian - girl, who was in Israel and yearns back to it!
That the sun may pass above me
Lyrics: Yoram Tahar-lev
Tune: Hanan Yuval
Sung by Yardena Arazi
| my singing June 22 there are days
without repose,
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By
the time
I worked on my sculpture of June 21, 2011 I forgot about my own singing on June 2, 2011, Nor did I realize, that the composer of this song was the same who sang in Tel-Aviv on June 9, 2011, in the commemoration of Lova Eliav's death a year ago. For it was only on June 21, Solstice, that I completed to learn and sing the song by heart. I recorded it , without discerning the soundbutton below. All this occurred perhaps, because I, too, was "a Christian girl", who met her love in Israel (1960), [not her first love though, but the one who would become the father of her children,] a girl who came to Israel again in (1964) and "for good"! my singing June 2 on October 6, 2011, I am deleting this soundbutton, since I need space for Yossi's singing to the mothers. 
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| back to Masterchef 59th page |
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RE-Creation-in-slow-motion Masterchef Israel Summer 2011 |
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forward to Masterchef 61st page |
Yossi Azulai sings to the mothers of Avi, Elihav
and Immanuel,
after Immanuel "had to go", as little Mika cried.
The 2 min. clip appeared on Facebook-Mako for a few days only.
I'm grateful, that I managed to crop the most relevant scenes,
though when I saw it one other time after the work of cropping,
I discerned an important image - Immanuel's kiss on my cheek,
which I had not caught - despite careful cropping and rewinding.
By then the video had already been taken off the Internet.
But the movement towards the kiss is clearly visible....
Read from right to left
Imma
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This
spontaneous 2 minute song was a contribution of Yossi Azulai to the participants in the live Finale while the TV watchers at home had to bear a commercial. It was not included in the show, nor in the video of the show  
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Discern the tiny movements and changes of composition from half second to second - like in the slow-motion of Mika's Octopus-squirming
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Alon |
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And now look at my own photos of Immanuel's joining us at the family-table
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Immanuel with his team-peer Yossi, Mika with Immanuel's judge Michal
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Continued to an extra-program "Everyone wants to be a Cook", Chaim Cohen with the three finalists,
juxtaposed with scenes from Mika's life after the Finale
| back to Masterchef 59th page |
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to
the
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Letter to Immanuel on April 22, 2012
3 days after the
TV program with his mother and his daughter
on the Day of the Holocaust
about my surprising insight,
that his art was not only perishing like a drawing on the sideway,
this at least can be guarded as a photo,
it is perishing the moment it is eaten,
and - as in this case of the Finale - it was not even eaten,
there was not even one person who could enjoy it for one second...
