The Purpose  of   HEALING - K.I.S.S.

- as stated 12 years ago - was and is

  to help me and my potential P E E R s 

"to HEAL ourselves into WHOLEness,

and - by extension - all of CREATion!"
Intro to Healing-K.i.s.s. 2001-2013
and Overview of its main libraries


[If you look for a word on this page,
click ctrl/F and put a word in "find"]


I focus my experiencing and awareness on being
"a   pioneer of  Evolution  in  learning  to  feel":
I let my Body vibrate and my Heart 'womb'

pain, shame, fear, boredom, powerlessness,
so feelings can >heal >guide>fulfill
>evolve,
and ~~~ offer ~~~"goldmines"~~~ to us all!!
"I want you to feel everything, every little thing!"

 

 

Back to Overview of all Songs


InteGRATion into GRATeFULLness
Singing&Sounding keeps me Sound

"Make me a song about the Moon"

2007_03_03


lyrics:
Rafael Rosenzweig

December 1967
tune:
Rachel Rosenzweig
[later: Christa-Rachel Bat-Adam]
December 1967

 

Immanuel - not yet 5 years old - asked for
"A Song about the Moon",
and Abba managed not only to create a sweet song,
but to also teach the four seasons of the moon.
The word "cabin" I later changed into "succah"
The succah
seems to be prophecied in this song.

 



 

A thin moon, rounded like a sickle
sinks into the sea silently
leaves behind
a sky that's black
and also stars - alone.
First week - half a moon
appears like an orange slice
lightens up the edge of
a small succah
[originally: "cabin"]
on one of the evenings of Tammuz
(It was the first of the month Tammuz,
which I fixed for the start of my mobile life,
which turned out to be my training for the Succah)

Half a month, a full moon
rises above the Golan Heights
lightens up the (Yezre'el) Valley
and also the Carmel
and sinks into the sea ruddy

 

Third week, moon is tired,
half of the night it's asleep,
in the second half
a bit of its glow
he gives to the little succah.
The month is completed, a thin moon
sinks into the sea silently
leaves behind
a sky that's black
and also stars - alone

.

 

Childrens' Songs by Rafael&Rachel Rosenzweig
+ Hebrew lyrics by Rafael to the most popular song of Brahms:

 

 


to former song to next song

 

2010

2010_03_13 - Mika's Heaven on Earth









Since August 1, 2009,
I employ song-page after song-page
for documenting and exploring
the evolution of Mika
my youngest grandchild,

whose assignment seems to be:
to demonstrate to humankind
by her own living and doing,
how to playfully create
from moment to moment

"zest-fully and full-filled"


[see previous composition]
"....Manifestation is meant to be a playground
where being and doing are fun..."

[Godchannel, Second Interview with the Folks]

 

The moving and dancing is still going on



Does she need some rest, or did the dancing on the screen change for something else?


Why not lie laughing on the floor between the sofas?

 

Another chance for catching Mika's profiles and movements , while she watches TV for not longer than perhaps 40 minutes

 


TV watching is finished
and her first new activity is
to hide in the closet

 

Now is the time to play with Grandma again.
She sits in a frisbee and demands:
"Move me around, Savta!"
I trie, but it's too hard work.
I have an exhilarating idea
and ask Efrat to document our racing through the flat.



I came across a rare photo of my own childhood (1952):
unlike Mika, who has three caring grownups around her,
we were three children
(I the oldest) with only one parent.

 

Continuation of Mika's "Heaven-on-Earth" , in March 2010, on the Song page of March 4 , 2007

2012



In the context of my thinking and living: not in linear , but in spherical time -
I found the following contribution:

On March 1, 2012, I came across a clipping, a text discovered and saved in June 2000:

WHAT THE MOON SAW
by Hans Christian Andersen
1840
My hand written note above the excerpts says:
"I had just internalized the new addition of (2000-06-09 ) to Godchannel about "the two attentions",
when I read about "Lucid Dreaming" and came across this marvellous illustration (marvellous in theory, for not all stories are good)."

Introduction:

It is a strange thing, when I feel most fervently and most deeply, my hands and my tongue seem alike tied, so that I cannot rightly describe or accurately portray the thoughts that are rising within me; and yet I am a painter; my eye tells me as much as that, and all my friends who have seen my sketches and fancies say the same.

I am a poor lad, and live in one of the narrowest of lanes; but I do not want for light, as my room is high up in the house, with an extensive prospect over the neighbouring roofs. During the first few days I went to live in the town, I felt low-spirited and solitary enough. Instead of the forest and the green hills of former days, I had here only a forest of chimney-pots to look out upon. And then I had not a single friend; not one familiar face greeted me.

So one evening I sat at the window, in a desponding mood; and presently I opened the casement and looked out. Oh, how my heart leaped up with joy! Here was a well-known face at last - a round, friendly countenance, the face of a good friend I had known at home. In fact, it was the MOON that looked in upon me.. He was quite unchanged, the dear old moon, and had the same face exactly that he used to show when he peered down upon me through the willow trees on the moor. I kissed my hand to him over and over again, as he shone far into my little room; and he, for his part, promised me that every evening, when he came abroad, he would look in upon me for a few moments. This promise he has faithfully kept. It is a pity that he can only stay such a short time when he comes. Whenever he appears, he tells me one thing or another that he has seen on the previous night, or on that same evening. "Just paint the scenes I describe to you" - this is what he said to me - "and you will have a very pretty picture-book." I have followed his injunction for many evenings. I could make up a new "Thousand and One Nights," in my own way, out of these pictures, but the number might be too great, after all. The pictures I have here given have not been chosen at random, but follow in their proper order, just as they were described to me. Some great gifted painter, or some poet or muscian, may make something more of them if he likes; what I have given here are only hasty sketches, hurriedly put upon the paper, with some of my own thoughts, interspersed; for the Moon did not come to me every evening - a cloud sometimes hid his face from me.

First Evening

"Last night' - I am quoting the Moon's own words - "last night I was gliding through the cloudless Indian sky/ My face was mirrored in the waters of the Ganges, and my beams strove to pierce through the thick intertwining boughs of the bananas, arching beneath me like the tortoise's shell. Forth from the thicket tripped a Hindoo maid, light as a gazelle, beautiful as Eve. Airy and eterial as a vision, and yet sharply defined amid the surrounding shadows, stood this daughter of Hindostan: I could read on her delicate brow the thought that had brought her hither. The thorny creeping plants tore her sandals, but for all that, she came rapidly forward. The deer that had come down to the river to quench her thirst, sprang by with a startled bound, for in her hand the maiden bore a lighted lamp. I could see the blood in her delicate finger tips, as she spread them for [end of clip]


Second Evening

"Yesterday"", said the Moon to me, "I looked down upon a small courtyard surrounded on all sides by houses. In the courtyard sat a clucking hen with eleven chickens; and a pretty little girl was running and jumping around them. The hen was frightened, and screamed, and spread out her wings over the little brood. Then the girl's father came out and scolded her; and I glided away and thought no more of the matter.

"But this eveing, only a few minutes ago, I looked down into the same courtyard. Everything was quiet. But presently the little girl came forth again, crept quietly to the hen-house, pushed back the bolt, and slipped into the apartment of the hen and chickens. They cried out loudly, and came fluttering down from their perches, and ran about in dismay, and the little girl ran after them. I saw it quite plainly, for I looked through a hole in the hen-house wall. I was angry with the willful child, and felt glad when her father came out and scolded her more violently than yesterday, holding her roughly by the arm; she held down her head, and her blue eyes were full of large tears. 'What are you about here?' he asked. She wept and said, 'I wanted to kiss the hen and beg her pardon for frightening her yesterday; but I was afraid to tell you.'

"And the father kissed the innocent child's forehead, and I kissed her on the mouth and eyes."

Seventh Evening:

"Along the margin of the shore stretches a forest of firs and beeches, and fresh and fragrant is this wood; hundreds of nightingales visit it every spring. Close beside it is the sea, the ever-changing sea, and between the two is placed the broad high-road. One carriage after another rolls over it; but I did not follow them, for my eye loves best to rest upon one point. A Hun's Grave lies there, and the sloe and blackthorn grow luxuriantly among the stones. Here is true poetry in nature.

"And how do you think men appreciate this poetry? I will tell you what I heard there last evening and during the night.

"First, two rich landed proprietors came driving by. 'Those are glorious trees!' said the first. 'Certainly; there are ten loads of firewood in each,' observed the other: 'it will be a hard winter, and last year we got fourteen dollars a load' - and they were gone. 'The road here is wretched,' observed another man who drove past. 'That's the fault of those horrible trees,' replied his neighbour, 'there is no free current of air; the wind can only come from the sea;' - and they were gone. The stage coach went rattling past. All the passengers were asleep at this beautiful spot. The postillion blew his horn, but he only thought, 'I can play capitally. It sounds well here. I wonder if those in there like it?' - and the stage coach vanished. Then two young fellows came gallopping up on horseback. There's youth and spirit in the blood here! thought I; and, indeed, they looked with a smile at the moss-grown hill and thick forest. 'I should not dislike a walk here with the miller's Christine,' said one - and they flew past.

"The flowers scented the air; every breath of air was hushed; it seemed as if the sea were a part of the sky that stretched above the deep valley. A carriage rolled by. Six people were sitting in it. Four of them were asleep; the fifth was thinking of his new summer coat, which would suit him admirably; the sixth turned to the coachman and asked him if there were anything remarkable connected with yonder heap of stones. "No,' replied the coachman, 'it's only a heap of stones; but the trees are remarkable.' 'How so?' 'Why I'll tell you how they are very remarkable. You see, in winter, when the snow lies very deep, and has hidden the whole road so that nothing is to be seen, those trees serve me for a landmark. I steer by them, so as not to drive into the sea; and you see that is why the trees are remarkable.'

"Now came a painter. He spoke not a word, but his eyes sparkled. He began to whistle. At this the nightingales sang louder than ever. 'Hold your tongues!' he cried testily; and he made accurate notes of all the colours and transitions - blue, and lilac, and dark brown. 'That will make a beautiful picture.' he said. He took it in just as a mirror takes in a view; and as he worked he whistled a march of Rossini. And last of all came a poor girl. She laid aside the burden she carried, and sat down to rest upon the hun's Grave. Her pale handsome face was bent in a listening attitude towards the forest. Her eyes brightened, she gazed earnestly at the sea and the sky, her hands were folded, and I think she prayed. 'Our Faterh.' She herself could not understand the feeling that swept through her, but I know that this minute, and the beautiful natural scene, will live within her on paper. My rays followed her till the morning dawn kissed her brow."

 

Eighth Evening

Heavy clouds obscurred the sky, and the Moon did not make his appearance at all. I stood in my little room, more lonely than ever, and looked up at the sky where he ought to have shown himself. My thoughts flew far away, up to my great friend, who every evening told me such pretty tales, and showed me pictures. Yes, he has had an experience indeed. He glided over the waters of the Deluge,[Bible, Genesis 8-9, perhaps 5000 years ago] and smile on Noah's ark just as he lately glanced down upon me, and brought comfort and promise of a new world that was to spring forth from the old. When the Children of Israel sat weeping by the waters of Babylon [Psalm 137, in the 6th century B.C.], he glanced mournfully upon the willows where hung the silent harps. When Romeo climbed the balcony, and the promise of true love fluttered like a cherub toward heaven, the round Moon hung, half hidden among the dark cypresses, in the lucid air. He saw the captive giant [Napoleon?] at St. Helena, looking from the lonely rock across the wide ocean, while great thoughts swept through his soul. Ah! what tales the Moon can tell. Human life is like a story to him. To-night I shall not see thee again, old friend. Tonight I can draw no picture of the memories of thy visit. And, as I looked dreamily towards the clouds, the sky became bright. There was a glancing light, and a beam from the Moon fell upon me. It vanished again, and dark coulds flew past: but still it was a greeting, a friendly good-night offered to me by the Moon.