|
The Purpose of HEALING - K.i.s.s.
as stated 10 years ago - was and is
to help me and my potential PEERS
to HEAL ourselves into WHOLEness,
and - as holograms - all of Creation!
|
|
As the fruit of becoming whole = accepting all of
myself, I desire:
to live and explore and evolve L O V E
in my personal life
and to play my part in creating the conditions for
Heaven-on-Earth
by radiating grate-full-ness, zest-full-ness and full-fill-ment
on the actors in my individual life-drama and on all
human beings!
|
|
| |
2004~~~Dedicated
to my daughter-in-love Efrat-Rut ~~~2011 |
|
MESSIAH Bat-Sheva &
David or The
HIDDEN FEMALE THREAD of REDEMPTION in the BIBLE
2004
Preface
blue links - mainly English
orange links - mainly Hebrew
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Megilat - R U T H
includes "Boaz" and "Lea" and "Ha-Shem/The
Name"
2004_06_22
See
also: My Life's Testimony to my Life's Learning 1982-2003
Rilke:
[see
more of Rilke in SongGame]
Und meine Seele ist ein Weib vor dir
Und meine Seele ist ein Weib vor dir.
Und ist wie der Naëmi Schnur, wie Ruth.
Sie geht bei Tag um deiner Garben Hauf
wie eine Magd, die tiefe Dienste tut.
Aber am Abend steigt sie in die Flut
und badet sich und kleidet sich sehr gut
und kommt zu dir, wenn alles um dich ruht,
und kommt und deckt zu deinen Füßen auf.
Und fragst du wie um Mitternacht, sie sagt
mit tiefer Einfalt: Ich bin Ruth, die Magd.
Spann deine Fluegel ueber deine Magd.
Du bist der Erbe....
Und meine Seele schläft dann bis es tagt
bei deinen Füßen, warm von deinem Blut.
Und ist ein Weib vor dir. Und ist wie Ruth.
Philip
Ratner's Rut and Naomi 
The main metaphors in the text of
Rut
"the
nagging name Ruth"
[see Biographical
Intro to "EFRAT" ]
It should be written without an "h",
just like "Efrat"!
Moreover,
when written with an "h"
the mystical link
between Efrat and Rut
gets lost in English.
For, as I found out,
there is this order of
fictitional characters:
T -ama - R [Megilat-Tamar]
ef - R -a T [Megilat-Efrat]
R - u- T .
The name "Rut",
not known from
any other sources,
as far as I know,
was created out of
T -ama - R
ef - R -a T |
 |
Tamar and Rut,
both widows, both daughters-in-law,
one of a father-in-law, Juda, and one of a mother-in-law, Naomi,
both the ancestor (ancestresses?) of David Messiah.
 |
the moment that Ruth
decides to convert and cling to her mother-in-law, Naomi. Ruth
is slung across the divide from the surety of her former existence,
symbolized by a simple block structure on the right attached to
her crimson sister, Orphah. Naomi, distinguished only by a subtle
shift in color from the background and a white headband seems
shocked at this rash act. Ruth and Naomi are about to be cast
adrift in the uncertain future of the nondescript background.
How will they survive, this unlikely pair, in the hard times back
in the Land of Israel? This narrative moment, normally seen as
a paradigm of religious devotion (wither thou goest, I will go...),
is understood here as but a prelude to the real agenda, ultimately
securing a righteous matriarch for King David. Richard Mcbee about
John Bradford: http://richardmcbee.com/biblicalpaintersbradford.html |
 |
Rut in the fields of Boaz
(John Bradford-2002)
left Rut and Boaz
(richard Mcbee -2001) |
B O A Z
L E A
HA-SHEM - THE NAME
BETHLEHEM-EFRATA
I breathe, I move,
I sound ~~~ Heaven to Earth
